![]() ![]() ![]() There are also countless scholarly studies about the novel and its characters, accounts of the life of Mary Shelley (and most everyone she’s ever met), and an endless supply of adaptations, rewrites, condensations, retoolings, sequels, prequels, film novelizations, spoofs, takeoffs, rip-offs and children’s picture book versions. ![]() Most are reprints of the novel, its Public Domain status allowing anyone to publish at will. While Victor admires nature, he goes to unnatural attempts to manipulate the natural order.Ī quick search of “Frankenstein” on Amazon yields over 3600 distinct titles. Victor’s appreciation for nature, and specifically sublime nature, becomes evident as young Victor witnesses a thunderstorm with “curiosity and delight” (22). The deep feeling in the soul describes the strongest emotion the mind is capable of feeling as suggested by Burke. He observes this quality in Victor as well, stating that even in his broken spirit, “no one can feel more deeply than he does the beauties of nature” (12). There is a love for the marvelous, a belief in the marvelous” (6). He writes to Margaret, “There is something at work in my soul, which I do not understand…. Amid a treacherous journey across icy seas, he finds himself admiring his sublime surroundings in a way that grips at his soul. Some of the novel’s clearest examples of the sublime occur within the frame narrative, which consists of a series of letters from Walton to his sister Margaret. Victor comes to realize that nature, however vast or unknown, is seldom more dangerous than the destructive ability of man. However, in the instance of his own creation, the horror seems to outweigh the beauty. He sees both beauty and horror in his creature as well as nature. Beautiful!… But these luxuriances only formed a more horrid contrast” (35). ![]() “His limbs were in proportion, and I had selected his features as beautiful. Victor’s response to his creation also shares characteristics with his response to sublime nature. Perhaps upon witnessing the horrors of his artificial creation, his appreciation of nature deepened. To Victor, a violent storm is a beautiful yet terrific “noble war in the sky” (50) while his own creation is a “filthy daemon” (50). It currently resides in the Kunsthalle Hamburg in Hamburg, Germany. It has been considered one of the masterpieces of Romanticism and one of its most representative works. 1818 by the German Romantic artist Caspar David Friedrich. Wanderer above the Sea of Fog (German: Der Wanderer über dem Nebelmeer), also known as Wanderer above the Mist or Mountaineer in a Misty Landscape, is an oil painting c. Beyond here, the pervading fog stretches out indefinitely, eventually commingling with the horizon and becoming indistinguishable from the cloud-filled sky. In the far distance, faded mountains rise in the left, gently leveling off into lowland plains in the right. Through the wreaths of fog, forests of trees can be perceived atop these escarpments. In the middle ground, several other ridges, perhaps not unlike the ones the wanderer himself stands upon, jut out from the mass. His hair caught in a wind, the wanderer gazes out on a landscape covered in a thick sea of fog. He is wrapped in a dark green overcoat, and grips a walking stick in his right hand. In the foreground, a young man stands upon a rocky precipice with his back to the viewer. Why is the wanderer above a sea of fog used as the cover for frankenstein ![]()
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